Leo.thts wats up
life and the rest of the world is beautiful. life is too short to complain.
--live it up.

Living In Southern Cali. God- Faith, Photography, Dance, and life as we know it


Some of my OWN photography --Lee's photos-- tell me wat you think...
so if you Re-blog some of my photos- then i fucken love you!
Leo.thts wats up
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devidsketchbook:

CAMERA OBSCURA BY  ABELARDO MORELL
Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]
devidsketchbook:

CAMERA OBSCURA BY  ABELARDO MORELL
Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]
devidsketchbook:

CAMERA OBSCURA BY  ABELARDO MORELL
Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]
devidsketchbook:

CAMERA OBSCURA BY  ABELARDO MORELL
Photographer Abelardo Morell - “I made my first picture using camera obscura techniques in my darkened living room in 1991. In setting up a room to make this kind of photograph, I cover all windows with black plastic in order to achieve total darkness. Then, I cut a small hole in the material I use to cover the windows. This opening allows an inverted image of the view outside to flood onto the back walls of the room. Typically then I focused my large-format camera on the incoming image on the wall then make a camera exposure on film. In the beginning, exposures took from five to ten hours”. [see more]
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likeafieldmouse:

Amy Stein - Domesticated (2008)
Artist’s statement:
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”

these is beyond incredible. i love this concept 
likeafieldmouse:

Amy Stein - Domesticated (2008)
Artist’s statement:
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”

these is beyond incredible. i love this concept 
likeafieldmouse:

Amy Stein - Domesticated (2008)
Artist’s statement:
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”

these is beyond incredible. i love this concept 
likeafieldmouse:

Amy Stein - Domesticated (2008)
Artist’s statement:
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”

these is beyond incredible. i love this concept 
likeafieldmouse:

Amy Stein - Domesticated (2008)
Artist’s statement:
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”

these is beyond incredible. i love this concept 
likeafieldmouse:

Amy Stein - Domesticated (2008)
Artist’s statement:
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”

these is beyond incredible. i love this concept 
likeafieldmouse:

Amy Stein - Domesticated (2008)
Artist’s statement:
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”

these is beyond incredible. i love this concept 
likeafieldmouse:

Amy Stein - Domesticated (2008)
Artist’s statement:
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”

these is beyond incredible. i love this concept 
likeafieldmouse:

Amy Stein - Domesticated (2008)
Artist’s statement:
“Within these scenes I explore our paradoxical relationship with the wild and how our conflicting impulses continue to evolve and alter the behavior of both humans and animals. We at once seek connection with the mystery and freedom of the natural world, yet we continually strive to tame the wild around us and compulsively control the wild within our own nature. Within my work I examine the primal issues of comfort and fear, dependence and determination, submission and dominance that play out in the physical and psychological encounters between man and the natural world. Increasingly, these encounters take place within the artificial ecotones we have constructed that act as both passage and barrier between domestic space and the wild.”

these is beyond incredible. i love this concept 
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burtoo:

Photos taken to induce memories. 
burtoo:

Photos taken to induce memories. 
burtoo:

Photos taken to induce memories. 
burtoo:

Photos taken to induce memories. 
burtoo:

Photos taken to induce memories. 
burtoo:

Photos taken to induce memories. 
"Man cannot discover new oceans unless he has the courage to lose sight of the shore."
André Gide (via razorshapes)
-polaroid:

Dark paradise [polaroid] (by Elizaveta Porodina)

amazing 
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livescope:

Tierra Zagrahda
livescope:

Tierra Zagrahda
pmsahagun:

When it rains, it pours
Linoleum Block Print
May 16, 2013
In reference to recent events that have occurred lately. 
joshwool:

Jade Fusco - Brooklyn, NY Expired 4x5 type 55 Polaroid
-polaroid:

(by henry_cotton)
reblog if you’re single as fuck
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seafarers:

Portraits of Iceland by DP Photography
seafarers:

Portraits of Iceland by DP Photography
seafarers:

Portraits of Iceland by DP Photography
seafarers:

Portraits of Iceland by DP Photography
seafarers:

Portraits of Iceland by DP Photography
"Hang in there. It is astonishing how short a time it can take for very wonderful things to happen."
Frances Hodgson Burnett (via oraclesfox)
medek:

Det är en dag imorgon också 3 by öys on Flickr.